The school trains riders and horses in Dressage, an art form where the rider with minimum movement gets the horse to perform elaborate movements such as walking sideways while listening to classical music. Performances are held several times per week in this large arena whose pseudo columns and rounded windows salute the Spanish Renaissance architectural style which ended long before this structure was built.
The mission of the Real Escuela Andaluza del Arte Equestre is to preserve the proud traditions of riding. Spain has long been an interesting place to be a horse. Much of the Arab success when they quickly took most of Iberia after 711 was because of the light cavalry – fast horses minimally burdened by the heavy armor that slowed down the Christian Knights who fought them.
Jerez became the focal point for the Andalusian horses because of a nearby Carthusian monastery where the monks bred horses into ideal specimens called Carthusian or Carujanos. This started when the King wanted to merge the quick Arab horses with the plodding bloodlines from the North to produce a one-size-fits-all steed. Some breeders resisted and gave their stock to the monks who went on to develop this graceful horse with a bony protrusion on its muzzle suggesting unicorns as ancestors. (Maybe they just have a few Hapsburgs on their family tree, proof of unintelligent design.) While foals are dark coated, mature horses are typically grey.
These highly trained horses are pretty much the end of the evolutionary path for Andalusian horses that were around in Paleolithic times, as seen in the art on the walls of nearby caves.
Who needs the Spanish Renaissance? Those of you who know France may detect some similarity between this building that serves as the riding school’s headquarters and Paris’s Opera Garnier. They share the same architect, Charles Garnier, who termed his style Neo-Baroque.
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