The Cathedral of the Incarnation

Málaga, Spain

Visited September 20 and October 3, 2008
Málaga's Cathedral replaced a Moorish mosque which itself replaced a Christian basilica of the Visigoths. (This is the usual pattern as early bishops tended to get the best real estate.) When Ferdinand and Isabel took Málaga on August 18th, 1487, they first had the mosque undergo the standard Christian ceremony to convert it to a church.

A work in progress

By 1500, work was in place to create a proper cathedral but first attempts were abandoned for a 1528 kickoff based upon a design by a famous Andalusian cathedral architect Diego de Siloe. (His Granada cathedral is one of the masterpieces of the Spanish Renaissance.) Two widely separated building efforts give us the still unfinished cathedral we see in these pictures: The first in the early 16th century and the conclusion in the 18th century.

Málalga, Spain

The Wiki picture above shows that the Diego de Siloe's overall layout is a Gothic cross with short transepts and the top of the "T" in a typical rounded apse. But instead of vaults, we see a collection of 12 domes in the nave with its larger center aisle. At the top right, you'd expect to see a second bell tower, balancing the first. More on that missing tower later. 

Styles that influenced De Siloe were the Gothic and Arabic that surrounded him as well as the Italian Renaissance he experienced during a stay in Naples.


Málalga, Spain

Here we see the stub of the unfinished South tower which gives the cathedral its nickname of "La Manquita," the one-armed one. Building was financed through taxes on the iron ore exported at the nearby harbor; but during the American Revolution, work stopped on the South tower in 1782  while the funds were diverted to support that war effort.  Those colonial upstarts took on Spain's great enemy -- the British Empire. 

Andalusia's second great Renaissance architect, Andrés de Vandelvira, who made Úbeda and Baeza into limestone jewels, also assisted here.

The single tower

Málalga, Spain

The tower that is not missing is part of the Baroque facade added in the 18th century onto the primarily Renaissance exterior. While Málaga's high-rise buildings now dwarf it, at 276 feet, this is the tallest cathedral tower in Andalusia except for the Giralda in Seville.

Málalga, Spain

A gratuitous statue shot at the cathedral's baroque facade.

Málalga, Spain

Today, Malagueños debate whether to complete the South tower or to leave it, like Schubert's 8th symphony, unfinished. (This might B a minor argument anywhere else. Proponents say cathedrals take a long time to build and finishing it now would mean this would be a 5 century build. In these Web 2.0 days, viewers can vote their preferences. What would Diego de Silo do?)

Málalga, Spain

No shortage of Corinthian capped pillars here on the facade.

Málalga, Spain

Except for the baroque facade, the exterior is Renaissance. Here we have the half-circular apse at left and the Gospel-side transept.

The Interior

Málalga, Spain

The same view of the curving apse from the inside which is primarily Renaissance. Notice rising on the right is...

Málalga, Spain

... one of the Baroque organs between long pillars with elegant Corinthian capitals reminiscent of those designed by the 14th century Italian Brunelleschi (who is best known for putting the egg-shaped dome on Florence's cathedral).

Málalga, Spain

Some consider Diego de Siloé to be Spain's first Renaissance architect. He started as a sculptor and his cathedral houses some outstanding woodcarvings (although not by him.) His father was probably a Flemish Sculptor and Diego himself was schooled in the Italian Renaissance during a stint in Naples (which was part of the Spanish Empire at that time.)

Málalga, Spain

The main altar is flanked on both sides by elaborate marble pulpits.

Málalga, Spain

Perhaps the most famous painting here is the Immaculate Conception by troubled Andalusian artist Alonso Cano. Check out the cherub at far left hitting the bishop on the head with his own crosier.

Málalga, Spain

The inset is the Dolorosa (Sorrowful Mother) by Pedro de Mina (who also did the cathedral choir which we will see in a minute.) The sculptor was highly influenced by the expressions he saw in Alonso Cano's work.

Málalga, Spain

The chapel of San Sebastian contains this 17th century statue by Jeronimo Gomez.

Málalga, Spain

At center is the 1802 Pietra by the Pissani brothers. Salvador León's 19th century Mary Magdalene is at left. It looks marble but is, in fact, wooden.

Málalga, Spain

Claudio Coellio's 17th century Immaculate Conception is nicely framed by sets of Baroque pillars.

Málalga, Spain

The Chapel of the Incarnation (namesake of the cathedral) shows a neoclassical altarpiece designed in 1785 by Juan de Villanueva...

Málalga, Spain

... and carved by Antonio Ramos and Aldehuela with sculptures and Palomino Salazar.

Málalga, Spain

This Flemish Gothic retable is in the Chapel of San Barbara.

Málalga, Spain

A final painting: this gruesome depiction of the beheading of the Jewish prophet John the Baptist upon orders from Herod Antipas.

Pedro de Mena's Baroque choir

Málalga, Spain

Let's end our visit of the cathedral interior with the outstanding choir carved by the 17th century baroque sculptor Pedro de Mena. He finished the job started 28 years earlier by sculptor Jaén Luis Ortiz de Varga.

Málalga, Spain

Signage is good (and multilingual) inside the cathedral. But for someone with a fetish for cathedral detail, this is my favorite sign in all of Andalusia: all the icons carved on the choir stalls are charted with Peter and Paul at top: If you've got the time, we've got the saint! The cathedral chapter (which would meet in these chairs) dictated the list of saints to the sculptors.

Málalga, Spain

You can't tell the players without a scorecard! Per the preceding chart, we see Saint Christopher on the far right. The Catholic calendar quit venerating him in 1969 but he remains here raising the Christ child on his shoulders. In the next century, the important Spanish painter Antonio Palomino would call this 1658 choir "the 8th wonder of the world." Obviously he had never visited Houston's Astrodome.

Málalga, Spain

Let's look at a few areas more-or-less attached to the cathedral. Above is the former bishop's palace across the street from the Cathedral sharing the Plaza del Obispo. This Baroque gray doorway with its pink Corinthian pillars and 3rd floor Pieta is from the 18th century. Inside, American architect Richard Gluckman has converted it to an exhibition museum. Its opening show was on Picasso - a bit of coals to Newcastle as he has a whole museum dedicated to him in this town of his birth.

Cathedral environs

Málalga, Spain

In the cathedral gardens stands a smaller church called "el Sagrario" with this elaborate Isabelline Gothic portal called the Door of Pardon (Puerta del Perdón). This appears to be the remnants of the mosque -- with this Christian doorway added. The rest of the mosque was torn down in the early 16th century to create room for the present cathedral. Despite its Gothic structure, it's attributed to Diego de Silo who laid out the Renaissance interior of the cathedral.

The top row contains carving of the two bishops who funded it. God the Father holds the center, holding a globe of the world between seals and coats-of-arms of bishops. Like a good Gothic portico, it is filled with saints' statues including here the Evangelists, Gabriel, Mary, and even a few Old Testament prophets.

Galvez? si, Galvezton? maybe

Málalga, Spain

Here's a bit of local color clinging to an exterior wall of the cathedral: a statue of Málaga 's one time mayor and long-time gynecologist, José Gálvez Ginachero. Tour guides here claim Galveston Island in Texas was named for him. He must have also been a time traveler -- the rascal Jean Lafitte and a band of pirates built on that Texas site 50 years before this Gálvez was born.

This would also surprise Bernardo de Gálvez y Madrid, Count of Gálvez and governor of Louisiana at the time of the American Revolution. His troops first captured that island from the mosquitoes (the insects, not the Indians) in 1777. That Gálvez greatly helped those rebellious Americans by fighting the Brits throughout the deep South in hopes of getting Florida back (which he did.) Were it not for him, we might all be speaking English on this side of the Atlantic.

At least both Senors Gálvez are natives of Málaga province.  

Brits now thrive on Spain's Costa del Sol, making up for losing Florida. We could speculate that more English is spoken here than in Miami.

Let's now visit the birthplace of another famous Malagueño named Picasso.  Join us by clicking here.

If you have good bandwidth, Please join us in the following slide show to give the Málaga, Spain the viewing it deserves by clicking here.

Málaga, Spain


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Created on 28 August 2009

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