Before his minimalist art produce maximal profit, Judd supported himself as an art critic and reviewer. He viewed the Chinati Foundation as being the standard to calibrate the display of art. He wrote in the catalog: "It takes a great deal of time and thought to install work carefully. This should not always be thrown away. Most art is fragile and some should be placed and never moved again. Somewhere a portion of contemporary art has to exist as an example of what the art and its context were meant to be. Somewhere, just as the platinum iridium meter guarantees the tape measure, a strict measure must exist for the art of this time and place."
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